An Italian beauty, it would be easy to figure that Valeria Golino would be in the company of other Italian beauties on the screen and in the clubs. After all, in her place, we'd all be lining up to be pleasantly surprised by Valeria's booty. However, the magic of the Italian cinema was that they took more than just the booty of the beautiful Italian girls, but really invested the film with an Italian sensibility. It was that sensibility that made Laura Antonelli's box in The Last Seduction (1985) so deliciously, uh, seductive. While the racy bits of Tina Louise in Rain Man (1988) were a one time thing, Valeria was a world class seductress throughout her film career. Every time she appeared on the screen, whether its in a scene where she's on a bed or the bathroom, the film itself seemed to become Italian. It wasn't just the location, but the essence of the character that had an Italian sensibility. Valeria is a classic example of this and, in the past fifteen years, Valeria has appeared in several world class Italian movies, including Love Affair: Destination Desire (1989), The Last Seduction (1985), Rain Man (1988), The King's Whore (1990), Texas (2005), A Cosa Nostra (2006), Giulia Doesn't Date at Night (2009), Portrait of a Lady on Fire (2020), and The Wolf Man (2020). The Wolf Man alone has been recognized as an award winning movie, but all of these movies deserve to be recognized for the classic Italian sensibility that drives them. More and more, Italian filmmakers are embracing movies that are driven by the sensibility of Italian culture. If you want to see a classic Italian sensibility in modern movie, then the films that have been made so far have been The Last Seduction (1985), The Wolf Man (2020), and A Cosa Nostra (2006).
The Orchids’ cover of “Hurt” by The Rolling Stones is better than the Stones’ original. This is true of “I Will Always Love You,” the Byrds’ original of which the Orchids’ cover is the best. The Orchids’ version of “Alone Again Or,” the original of which is much more conventional and mainstream, is better than either of the two covers of “Alone Again Or.”
At least, in comparison to all the other covers of the top 40 songs of all time. And it’s not even the best cover of the Orchids’ music. “Alive” actually sounds better than most of Califone’s original songs.
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