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World War II began over 80 years ago and as we continue to honor those Americans who undoubtedly and courageously contributed to the defense of our nation, we often overlook in our remembrances the valiant efforts of African Americans. Throughout the war years they repeatedly had to battle adversaries on two fronts: the enemy overseas and racism at home. African-Americans recognized the paradox of fighting a world war for the \"four freedoms'' while being subjected to prejudicial practices in the United States. Thus, as the war unfolded, they vehemently insisted on the privileges of full citizenship. African-Americans were ready to work and fight for their country, but at the same time they demanded an end to the discrimination against them.
The battles behind Francis Ford Coppola's surreal war movie are well-documented: the nightmarish, multiyear shoot; star Martin Sheen's heart attack and recovery; a cackling press corps that sharpened its knives for a turkey of epic proportions. Coppola would have the last laugh. So much of the vocabulary of the modern-day war picture comes from this movie, an operatic Vietnam-set tragedy shaped out of whirring helicopter blades, Wagnerian explosions, purple haze and Joseph Conrad's colonialist fantasia Heart of Darkness. Fans of the Godfather director, so pivotal to the 1970s, know this to be his last fully realized work; connoisseurs of the war movie see it (correctly) as his second all-out masterpiece.
Pervy Dutch director Paul Verhoeven is better known for Basic Instinct and Showgirls, but war movies are his true métier. In this deliciously plotted WWII survival tale (a comeback of sorts for the Hollywood exile), a hotcha Jewish singer becomes a spy, a freedom fighter and a bed partner of Nazis. Talented Carice van Houten commits fully.
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